Make sure you read the street signs! She was intent on filming the then-current strike by the miners of Harlan County, Kentucky against their management, the Duke Power Company, but first, she had to gain the trust of the miners. But the most powerful part of the experience for Kopple was meeting and talking to the older miners who shared their memories of previous union struggles. Always check the listed showtime before buying your ticket. Kopple's depiction of women and use of sound makes this documentary distinct for its time. The film's vivid personalities begin to emerge: shy Sudie Crusenberry goes from tongue-tied to eloquent; organizer Lois Scott, squinting through her cigarette smoke, rallies the women with a mix of hard facts and gusts of humor until, almost to their own surprise, these once-deferential wives defuse a daylight, drawn-gun confrontation. There are frightening scenes of tight-lipped strike-breakers, guns openly displayed rushing through the pickets. Strikers are shown being arrested and roughly taken away by police.
Unit 731 was the code name of an Imperial Japanese Army unit officially known Very Young Girls, whose title reflects the fact that in the United States the average age of entry into prostitution is just thirteen. Miners' strength, their assertiveness and solidarity are based largely on their economic power; and where coal-mining becomes marginal to the economy of a region, they lose much of their ability to fight. Its strength lies chiefly in its ability to illuminate the peculiar frightfulness and valor of coal-mining, and made it clear just why coal-miners can never be rightly treated as a less than a very special case. Maybe the trade unionists will see it and the people in Harlan. The strike began after the miners voted to join the United Mine Workers of America—which had lost its hold in eastern Kentucky—and the owners refused to sign a standard U. So when they were able to find employment as coalminers, they possibly saw it as a golden opportunity for them to make a living and improve their conditions which is why they agreed to work for the company without considering the unfair labor practices at the time.
Their deaths eventually changed the tide for the miners as the management finally a agreed to arrange a bagain with them, ending the strike. And it remains a must see movie because it focuses on the very group of Americans, working class high school educated Americans, that the coasts still ignore at their peril. When the Company hires scabs, agitators, and local police to work around, bully, and scare the protestors we see the real resolve of the Mining Community, specifically the women who stay strong well after many of the men cannot. As she and cinematographer Hart Perry were present at numerous picket line demonstrations, they witnessed their share of riots and physical confrontations, and on occasion were knocked down, kicked, and shot at by non-union thugs. These scenes might be too much for younger viewers, but for teens and adults interested in the struggles and sometimes fierce battles between organized labor and big business, Barbara Koppel's Oscar-winning documentary is as good as it gets. Of course, the financial problems were minor compared to the personal risks Kopple encountered on location in Harlan County.
In respect to our origins, we will always announce our upcoming seasons, special events, and speakers with the ability to get tickets via the email list first before posting to Facebook or anywhere else. Then, we generate a special list with your name on it. In this particular film by Barbara Kopple, her crew follows around the coal miners and their families around the clock. The camera isn't merely an observer; it's a mourner too. What were the possible social and economic factors that compelled the miners to continue working for the company before finally staging a strike? If you don't get a response within 48 hours, please email us again.
There is another factor, though. All you have to do is come to our table ahead of each movie, give us your name, and get your ticket. With unprecedented access, Kopple and her crew captured the miners' sometimes violent struggles with strikebreakers, local police, and company thugs. Nevertheless, one terrifying pre-dawn, Kopple and Hart Perry, her cameraman, were singled out and beaten by company thugs. I just didn't think the film would ever be shown anywhere. She and her film crew were there for 5 a.
Which side are you on? Barbara Kopple's Oscar-winning documentary depicted a group of coal miners' prolonged and frequently dangerous strike against the Brookside Mine in Harlan County, Kentucky in June, 1973. This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. During this segment, a depressing song about black dust accompanied each powerful image. They continue to demonstrate in order to secure a living wage and a better life for themselves and their families. At a climactic moment in the strike, the film crew is attacked, along with miners and their wives on the picket line. After living among the local residents and getting to know them, Kopple eventually overcame their suspicions and began to chronicle the miners' struggle to join a union - the United Mine Workers - against the, often violent, resistance of the Duke Power Co.
There is not anytime of day where a song is being sung or gun shots are being fired not caught on camera. One of the scabs is shown firing a gun from his truck. The instance I am thinking of comes in its suggestion that the reformist leadership of the U. Or give their trust to someone who says they are going to fight to get it for them. Barbara Kopple's Oscar-winning documentary depicted a group of coal miners' prolonged and frequently dangerous strike against the Brookside Mine in Harlan County, Kentucky in June, 1973. After that, series passes and individual tickets will remain available.
Around the time of this strike, women were not portrayed as they were on screen thorough the documentary. The filmmakers immersed themselves in the struggle, capturing fierce altercations and heated meetings between the women of the town, the striking miners, and those attempting to break up the strike. Hillhurst and Sunset Drive tend to be the best for street parking. Tell us what you thought of this in the comments below. In East Germany and Poland the authorities treat them with a special deference.
What do you think were the challenges the filmmakers had to face before, during, and after filming? Kopple lets us meet these unwavering, resilient men and their wives the way she didin their leaky shacks with no plumbing and no electricity, toughing it out with banked fury and dry, occasional humor on their first-ever strike, month after tedious, dangerous month. Kopple dedicated a good amount of footage to the emergence of women taking a stand and being strong. Barbara Kopple and her photographers have got right inside the life of the miners and their families in their long struggle against the operators of the Brookside mine and its parent company, the Duke Power Company. The film shows the picketing, the use of state troopers to keep the road open for nonstrikers, the confrontations, a shooting, the efforts of the strikers and their families to remain organized and united through the long year. As shown in the film, the miners experienced some of the worst living conditions. The women organization during the strike did not become vulnerable once presenting a new image. However, as depicted in the documentary, the miners were unaware of the poor working conditions that awaited them, which included the no strike clause in their contracts, which was eventually removed.
The music of the coal miners is organically woven into the film. Cast Cast overview, first billed only:. The camera can only speak so many words. As the documentary unfolds, the use of music played a major role. Since then, one Utah mine has become a tomb. These scenes speak to the authenticity of Kopple's work, in Harlan County and beyond.