Although the Baroque Art and the Rococo Art periods are sometimes classified as one in the same, they are actually quite distinct and unique. Rococo is the last style of the French monarchies and was carefree and playful. Neoclassicism was part of the European art movement during the late 18th and early 19th centuries, The inspiration for this movement comes from thru classical art and culture of ancient Greece or ancient Rome. The major Renaissance building types were the church, palazzo, and villa. During an era where France was the epitome of flamboyance, and when everything was elaborate from furniture to hairstyles, those paintings captured the ideal embodiment of the Rococo spirit where the upper classes were preoccupied with their own amusement while the common folk lived in misery and the nation kept on losing territories in places like Europe and North America. In fact, despite my several courses in art history and appreciation, it still took me several hours of individual study to really get a grasp of the difference. Their paintings depict various activities of the French aristocracy.
Together, Baroque works created a decorative unity in the churches and other spaces in which they were commonly seen. The strain of holding together a classical music piece or creating a perfect sculpture will eventually become too much for the artist. Rococo artists used delicate brushstrokes and pastel colors. Baroque sensibilities delineated common people from royalty but Rococo admired if not idealized humanistic and sometimes carnal inclinations of life. Realizing the beauty, and dynamics of Baroque and its power, religious leaders encouraged and patronized this emerging new style. What's the Difference Between Baroque and Rococo Art? Some rococo styles were channeled through ornate furniture and interior designs.
Such theatrical, awe-inspiring structures and scenes covering ceilings and walls increasingly became ways to spread faith in the Catholic Church during the Protestant Reformation, as well as to further elevate the state. Watteau is known for his soft application of paint, dreamy atmosphere, and depiction of classical themes that often revolve around youth and love, exemplified in the painting Pilgrimage to Cythera. It is made even more prominent by the angel, centred above her, but who is looking down on Mary, and this creates a second line almost vertical, but not quite. Think of a circle: perfect, contained and complete. Interior ornament included the use of sculpted forms on ceilings and walls, often somewhat abstract or employing leafy or shell-like textures. Though this characteristic, the Baroque period of art was considered to be politically motivated towards fighting for the rights of the people in the society.
I could easily make out the difference in style after reading the article. Both these styles , the Baroque and Rococo , are important because of reflecting t. His treatise Four Book of Architecture was especially influential to the designs of Christopher Wren in England. The deluge premonition became true and there was no aversion of the impending political, financial and social collapse. She was also well known in the fashionable world of Paris. Unlike the Baroque , active brushwork , delicate lines and pastel colors are used typically in the Rococo. The most important artists of the Rococo style are Jean-Antoine Watteau , Jean-Honoré Fragonard and Jean Baptiste Siméon Chardin.
In this painting, the light touches the objects realistically. In the Baroque style, the center of the painting is often bare, unlike the Renaissance. Again, there is no reason that these expressions cannot last for great lengths of time. Neither the Church nor governments played any role in the rise of this art movement. It is important to take a closer look at time atmosphere that each of those styles coming from to be able to compare and contrast the Baroque and Rococo styles. There is a lot of light and decor.
The using of brush strokes gives people enormous sense of movement, energy, and tension. Thus, it may not be considered an altogether independent style; it is, in fact, an evolved form of Baroque. Mannerism wasn't sober; there were decorative and complicated effects. Construction lasted for four years, and on July 30, 1756 the architect presented the brand-new 325-meter-long palace to the Empress, her dazed courtiers, and stupefied foreign ambassadors. Now, examine the styles for yourself and discover new differences of your own.
Elegantly dressed aristocrats at play, usually in pastoral landscapes e. Aristocracy as an elite social class, an exclusive club you had to be born into, was prevalent in most of Europe, but aristocrats of France, in particular, were reputed to be the snobs of the snobs. Back in the 1700s, fashion was a much more complicated process. Panniers caused inconvenience for most women in public places, so much so that armless chairs had to be around for those women in giant bell-shaped dresses. The bourgeoisie in the eighteenth-century increasingly favored these more delicate patterns of the rococo fashion over the dense subjects of religious and historical decorative art.
Their hard daily lives included dancing, hunting, drinking, gambling and a whole lot of gossiping. The style appealed to the senses rather than intellect, stressing beauty over depth. Classicism waned during the Rococo period after being so extensively executed in the Baroque. The Oath of Horatti was of Romans fighting for the the Roman Republic to urge the French to stand up for their own Republic during the French Revolution. You can imagine the peasants in the violent riots during the French Revolution ransacking castles and châteaux, destroying everything in their paths including the Rococo furniture and paintings. In these styles, there are more color and more emotion than previous ones.