She is an independent thinker who believes that there is nothing wrong with a woman standing up to a man. When Iago learns he has been discovered, he turns to real cowardness and stabs his own wife, commiting the same sin as Othello. Particularly, he takes interest and pride in harassing the innocent. The entire drama is full of his soliloquies where he talks to himself giving us a peep into his conscience and his heinous plan. A number of fortunate circumstances helps his… 1865 Words 8 Pages The Character of Iago in Othello No one has ever failed to appreciate the skilled art with which Shakespeare has defined the characters of his plays; great and small alike, their distinctiveness, their dignity, their misery, and their integrity are captured and displayed. This action triggers anger in Iago, and he takes out his anger on his boss Othello. With Roderigo's extended silence, it too feels like an extended aside.
In the play Othello by William Shakespeare, Iago is the ultimate villain. But for all this, as his plot against Othello starts moving and gathering momentum, he loses control of it and must take real risks to prevent it from crashing. I know not if't be true; Yet I, for mere suspicion in that kind, Will do as if for surety. However, she cannot comprehend the fact that any woman would ever cheat on her husband. Othello, by William Shakespeare, is a story that invokes some serious thought. How does Shakespeare present Iago here? Iago uses Roderigo's weakness to help him remove Cassio from position as lieutenant. However, by the time his truth has been uncovered, Iago has made Othello kill Desdemona.
Iago knows of the courage and the strengths of Othello, but also his weaknesses. Let him command, And to obey shall be in me remorse, What bloody business ever. Be genial, sometimes jovial, always gentlemanly. The most obvious is that he has just been passed over for a promotion which has gone to Cassio. He interacts with people only to manipulate them, but most importantly he never reveals his true feelings or motives.
Iago's capacity for cruelty seems limitless, and no motivation he gives for his actions seems enough to explain the incredible destruction he wreaks on the lives of the people he knows best. Our bodies are our gardens, to the which our wills are gardeners. He swears that his emotions are clear and he does not hide his feelings, trying to prove his honesty before the others. Bradley: Iago stands supreme among Shakespeare's evil characters because the greatest intensity and subtlety of imagination have gone to his making, and because he illustrates in the most perfect combination the two facts concerning evil which seem to have impressed Shakespeare most. But unlike Aladdin's cartoon parrot, Iago is nobody's sidekick. Iago's jealous of Othello and Cassio because he thinks that both of them slept with his wife, Emilia. For Iago to constantly lie and deceive his wife and Friends, he must be extremely evil…or amoral.
Some may believe that Iago is a victim because he was blinded by his emotions to think with his conscience. Also that in the context of this play people might have been a racist and not have seen Othello as a hero but Ago being a victim of Othello because his color and that they might believe that Othello does not deserve being a general. It very brilliantly describes feelings of jealousy, gullibility, insecurity, suspicion, lust, greed, and repentance. Even now, now, very now, an old black ram Is tupping your white ewe. Iago has no conscience, no ability to perform good deeds. In the latter respect Iago is nearly or quite the equal of Richard, in egoism he is the superior, and his inferiority in passion and massive force only makes him more repulsive. His technique is so powerful that no one can escape or survive.
Iago is clever enough to take others into trust easily. This character is consumed with envy and deceit that leads to theft and killing. His nature does not enable him to see the goodness in any one or anything; he is driven by a lust for evil beyond his control. Act One, Scene One is the most important because it foreshadows the whole drama. The result is that Iago now feels wronged and hates Othello more than ever.
Shakespeare suggests that Iago is not really a man, but the devil in disguise, manipulating people for his own pleasure. Iago tricks Othello into believing that his own wife is having an affair, without any proof. In today's time Iago would be called a Psychopath without a conscience. In this key passage 2. His character is quickly established as corrupt and sly as he pretends to be a supporter of Othello but in reality, is secretly scheming against him.
The effects both Iago and Desdemona have on the main character Othello throughout the play only help to show this balance. It also provides a closing irony to the passage — nothing will be 'well' on Cyprus any more. Orson Welles seemed partial to this idea—his film version of the drama exploits the homoerotic undertones of the play, and Iago basically woos Othello away from Desdemona. Iago is not the typical villain in any story or play. Throughout most of Shakespeare's plays, evil characters are not uncommon, but in my own opinion, Iago has to be one of if not the most - interesting. Alternatively he might be a man who used to be honest in the past, but has decided to abandon this virtue.
Shakespeare added depth to his villain making him Amoral, as opposed to the typical immoral villain. He screws with the money that Roderigo gave him to win over Desdemona. Iago keeps his deep hatred for Othello so bottled up that it becomes an obsession and. Through the character Iago, Shakespeare, in his play Othello, explores the concept of the evil nature of man and argues that one who is motivated purely by greed and the desire for power will ultimately face the consequences of his or her actions. Iago is a ruthless villain. Iago deceives, steals, and Kills to gain that position. There is no evidence for adultery except that Cassio is 'a slipper and a subtle knave' 2.