Perhaps they would go soon. There is also some symbolism in the story which may be significant. She takes these feelings of melancholy or loneliness and tries to turn them into positive ones, striving to feel connected to others around her. The girl is kept at her grandma's house against her will. And the band sounded louder and gayer. And yet it explained why she made such a point of starting from home at just the same time each week--so as not to be late for the performance--and it also explained why she had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. As she watches on, Miss Brill strongly identifies with an elderly lady in a fur hat who is met by a gentleman.
The fur comes to stand for Brill's superficial yet artificial interaction with the world. There were a number of people out this afternoon, far more than last Sunday. You can drastically modify those unfavorable outcomes, even when it feels as if the world is crashing down on you, by taking a positive view of its effects and realizing that everything is meant to happen for a sp. Why doesn't she keep her silly old mug at home? And she'd gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they'd be sure to break and they'd never keep on. The woman greets the man with as much warmth as he returns with coldness.
The tune lifted, lifted, the light shone; and it seemed to Miss Brill that in another moment all of them, all the whole company, would begin singing. Just click the numbered links to read comments concerning some of the reasons why the essay is so good. This dual perspective encourages us to view Miss Brill as someone who has resorted to fantasy i. We suspect that Miss Brill may not be as simple-minded as she first appears. This lonely older woman has become quite the expert on eavesdropping. Miss Brill's ritual of visiting the park every Sunday helps her to cope with loneliness. This thought allows her to feel a sense of community with the strangers at the park.
The final two paragraphs describe how — too saddened to buy her usual treat from the baker's — she goes home to return the fur to its box, never, we can guess, to be worn again. It made a great difference. The hero and heroine, of course, just arrived from his father's yacht. The fur that Miss Brill wears in the park in many ways mirrors her own life. He'd suggested everything—gold rims, the kind that curve round your ears, little pads inside the bridge. Brill experienced life changing events due to the laughter of others in the occurrence of embarrassment that each received.
What was going to happen now? She views life as a form of theater and herself as a spectator. And Miss Brill's eyes filled with tears and she looked smiling at all the other members of the company. It was; she lifted her head and smiled. There is the girl, who's name is never revealed and the Grandma, who's name is never revealed as well. If anything Miss Brill is escaping from the boredom or loneliness of her own life. She had become really quite expert, she thought, at listening as though she didn't listen, at sitting in other people's lives just for a minute while they talked round her. We can articulate for sure that Miss Brill is delusional when she refers to herself as an actress in a fantasized play.
It may also be significant that Mansfield describes the two old people who sit beside Miss Brill on the bench as statues. Similar to the fur, this scene and the object, come to stand for Miss Brill in her own faded beauty and ignored excitement. Who could believe the sky at the back wasn't painted? She glanced, sideways, at the old couple. The essay is outstanding, with strong organization and especially effective support and development of ideas. If there was an almond it was like carrying home a tiny present—a surprise—something that might very well not have been there. This was disappointing, for Miss Brill always looked forward to the conversation. Toward the end of the story, the façade brought on by Miss.
What was going to happen now? The ermine toque was alone; she smiled more brightly than ever. This fantasy is abruptly cut short when a young couple insults her and brings her back to reality. What do the scenes have in common in terms of imagery? At the conclusion of the story, Miss Brill returns the fur to its box in her emotional pain of wounded delight. Her own faded beauty and youth are now inescapably present and the thought ruins what was her pleasant outing. They were beautifully dressed; they were in love.
And we sympathize with her at the end of the story not because she is a pitiful, curious object but because she has been laughed off the stage, and that is a fear we all have. Are they in any way better than Miss Brill? John Webster, however, presents a character of social prowess and sexual determination in his play The Duchess of Malfi, juxtaposing the social views of a woman with his characterization of the Duchess. A cold, pale nun hurried by. She had got quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth and the high pinched nose. To be honest, when I first read an outline of the story, I imagined it to be quite a dull experience. The girl in the story says of the fur, that it looks like a fried whiting. She sat there for a long time.