When he came in the morning, he found that both the roads were looking same and both the roads were covered with autumnal leaves. The poet while travelling on foot in the woods reaches a junction where two roads diverge. The poem ends with the following lines: 'Two roads diverged in a wood and I- I took the one less traveled by, And that has made all the difference. But, a misinterpretation is a misinterpretation and institutes who teach thus should realize the importance of deviating from the lines in the poem. Since those things… 1156 Words 5 Pages Robert Lee Frost was an American poet.
Both paths seem to have same wear by travellers making it hard for anyone to pick a safe road. Furthermore, his indecision causes him eventual discomfort so as to adjudicate over one singular course of action. Kennedy on January 20, 1961. This is a metaphor to our inability to predict the future, and the fact that regardless what road is chosen it will not be free of obstacles. The woods are yellow, which means that it probably falls and the leaves are turning yellow. The wonderful title evokes the rural hinterland of New England, away from the Boston society and economy. He had written it mocking one of his fellow writing acquaintances because of indecision incidents his acquaintance had made while they would go on walks together.
He must make a decision. Elements such as orchards, forests, fields and small towns are observed commonly. Yet he knows it is unlikely that he will have the opportunity to do so. Poem Summary Have you ever found yourself caught between a rock and a hard place, trying to make a difficult decision? Frost perhaps succeeded too well in his pose of the apparently artless rube sitting on that wall. It consists of four of 5 lines each.
The meter is basically , with each line having four two-syllable feet. Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, The traveler is simply examining the two roads, he has not yet traveled. Oh, I kept the first for another day! There is no coming back from making a decision as one decision would open up a labyrinth of choices that an individual has to cope with. Perhaps, he chose the less travelled one. Upon the first glance one of them looks less worn and hence less traveled by but the poet corrects himself in the course of the poem by stating that both the forest pathways were actually equally traveled. If our speaker is, as we suspect, at a fork in the road of his life, and not at an actual road, he could be trying to peer into his future as far as he can. This analysis shows that this poem, though, seems a simple and innocent composition, points to the reality of making decisions in complex situations.
He looks into distant future. And that has made all the difference. The poem actually steers clear of advising on selecting a definitive path. Frost endows each stanza with its own individual consideration of the titular concept of choices one makes in life and how every. Critics of this poem are likely always to argue whether it is an affirmation of the crucial nature of the choices people must make on the road of life or a gentle satire on the sort of temperament that always insists on struggling with such choices.
The poet here in regard to the choice of life considered the word undergrowth as unknown world. The dilemma of the speaker in the poem is simple and is revealed early. The last line of the poem is like a stereotype of the thinking mind. All of us reach a crucial point in life when we must make a right choice. The other road is more conventional, risk free and well-traveled. .
Stanza 3 The individual attempts to convince himself with little success, bordering on self-delusion. Yet knowing how way leads on to way, I doubted if I should ever come back. The narrator eventually decides to take the other road because it really doesn't matter; whichever path he chooses, he has no way of knowing where he's going to end up. Thomas and Frost became close friends and took many walks together. Sometimes we have to be brave enough to trust our instincts and believe that wherever we wind up is where we're meant to be. Thompson also says that when introducing the poem in readings, Frost would say that the speaker was based on his friend Edward Thomas.
He reflects on this now and wonders about that choice: 'I shall be telling this with a sigh Somewhere ages and ages hence' At the end of the poem, it's hard to tell whether or not the narrator regrets or is happy with his decision; probably he feels a bit of both. Stanza 1 The Road Not Taken is a poem about life and all the choices you make. Cambridge Studies in American Literature and Culture. That choice determines our destiny. So he was choosing between two roads, or futures, that were different but potentially equally good. Seemingly an obvious poem, The Road Not Taken has been subjective, catering to multiple interpretations. Thomas and Frost are said to have enjoyed taking many walks together then.