Sir Toby Belch: Merrymaking uncle of Olivia. Cesario confesses that it was indeed Orsino. This situation becomes even funnier, when Viola decides to take on the image of her twin brother, by disguising herself as Cesario. Shakespeare and his language There is a Chinese saying; 'There is nothing new under the sun'. The fact that Olivia, an esteemed lady, falls in love with Cesario, a young page, is deemed bad enough in the opinion of an Elizabethan audience.
This specific dramatic irony surprisingly causes me to feel sympathy for Polonius because he is not aware of the current situation and eventually will suffer the consequences. In this way, Shakespeare uses traditional clichés for talking about love while also satirizing them at the same time. His Roman name was Cupid; his Greek name was Eros. However, after archers shot him with arrows and abandoned him, he remained alive and was nursed back to health. Its characters are not unreservedly happy and the events are not unreservedly humorous. He justifies his mistake later by saying 'I wear not motley in my brain.
I do live by the church, for I do live at my house, and my house doth stand by the church. The concept of high and low characters is used a tremendous amount by Shakespeare during Twelfth Night. Not so, neither, but I am resolved on two points. Think about a movie you have seen, or a book you have read, in which the characters suffer from disappointed love as the characters do in Twelfth Night. Dramatic irony is when the words and actions of the characters of a work of literature have a different meaning for the reader than they do for the characters. It is, of course, the love for the duke that preoccupies her.
Sebastian says his father also had such a mole. The comedy in Twelfth Night varies greatly from the comedy in Great Expectations and Gulliver's Travels at times. The fact that Fabian and Toby encourage Sir Andrew to fight Cesario is very amusing because they know very well that Sir Andrew is a cowardly man, and not a fighter. This noble duke has passionate feelings for poor Olivia. Neither is artlessly or bluntly. Shakespearean heroes are often only introduced in the very early stages of the play through the conversation of other characters. Unlike most other characters in the play, Viola and Orsino had a non-sexual relationship before deciding to get married.
The role of the fool is also a vital comic device because 1076 Words 4 Pages If I were directing Act 2 Scene 5, the feature I would most emphasise is the comic potential that underlies in the script. She begins by admiring Sebastian's noble qualities as mirrored by his twin sister Viola, disguised as the male messenger Cesario. One should seize the day and make the most of it. In the supporting paragraphs, provide evidence from the play to back up your claim. Olivia asks what he is like.
He is a natural poet: the argument that beautiful people are obligated to love and produce heirs is a common theme of Shakespeare's own sonnets. This shows a darker side of the light-hearted prank that Maria, Sir Toby and their companions set up. In this disguise, that only the audience is aware of Viola is better able to perceive the true nature of the characters as they confide in Cesario, her male disguise. Noticing that Cesario seems moved by the music, Orsino then asks whether he is not himself in love. As I am man, My state is desperate for my master's love; As I am woman,—now alas the day! The comedy in Shakespeare's Twelfth Night can be related to the comedy in those writings, although Shakespeare used a variety of comedic techniques, not used in either Great Expectations or Gulliver's Travels.
By innocence I swear, and by my youth, I have one heart, one bosom, and one truth, And that no woman has; nor never none Shall mistress be of it, save I alone. The audience can understand that just because something appears to be true, it may not be true. Feste himself is accepted fully during the play by both the high and the low characters- one moment he is conversing with Olivia about whether or not he is a good fool and whether she is right to mourn for her brother; the next he is partaking in celebrations with Maria, Sir Andrew and Sir Toby. Part of the comic situation here involves the dramatic irony that Viola in disguise is forced to try to win Olivia for Duke Orsino when in reality, she would like to shed her disguise and be his wife herself. Cesario protests that he put a lot of effort into memorizing this speech and adds that, besides, it is beautiful poetry. Hit colloquially means that a realization occurred to someone suddenly, but in this case it literally means the frisbee striking his head. Upon awakening to find her dead lover beside her, Juliet then also commits suicide.
Although blinded by Viola's disguise, he cannot see the irony that the audience does: he thinks that he shares only a master—servant relationship like, for instance, Antonio and Sebastian in 2. Unrhyming Verse If music be the food of love, play on; Give me excess of it, that, surfeiting The appetite may sicken, and so die. However, the road to this bliss is bumpy for just about all concerned. Cesario is to be the duke's messenger, his proxy, and carry notes of love from Orsino to Olivia. Throughout Twelfth Night, Sir Toby lowers himself to the level of the servants, even though he is in fact of a higher status. Thus, the play takes on the characteristics of a modern situation comedy. Furthermore, Shakespeare uses word play to generate humour for the audience.
In reality Belch just wants Aguecheeck around so that he can freeload on him. Orsino instructs Cesario to go woo Olivia once again on his behalf. He asks Cesario to do him a very special, very personal favor. Maria: Olivia's handmaiden and author of a letter that ensnares Malvolio in a prank that pokes fun at his haughty demeanor. Feste: Fool jester and servant of Olivia. This goes beyond simple teasing and could be seen as black humour, and so is amusing for the audience.